Free Books Archives - Page 12 of 16 - Auro e-Books

The Candle of Vision

The Candle of Vision

The Candle of Vision

In Letters on Poetry and Art, Sri Aurobindo spoke of A. E. many times as a poet and a mystic. In a letter dated 5 February 1932, Sri Aurobindo said:

“A. E.’s remarks about “immensity” etc. are very interesting to me; for these are the very words, with others like them, that are constantly recurring at short intervals in my poetry when I express, not spiritual thought, but spiritual experience. I knew perfectly well that this recurrence would be objected to as bad technique or an inadmissible technique; but this seems to me a reasoning from the conventions of a past order which cannot apply to a new poetry dealing with spiritual things. A new art of words written from a new consciousness demands a new technique. A.E. himself admits that this rule makes a great difficulty because these “high light” words are few in the English language. This solution may do well enough for him, because the realisations which they represent are in him mental realisations or intuitions occurring on the summits of the consciousness, rare “high lights” over the low tones of the ordinary natural or occult experience (ordinary, of course, to him, not to the average man), and so his solution does not violate the truth of his vision, does not misrepresent the balance or harmony of its natural tones. But what of one who lives in an atmosphere full of these high lights—in a consciousness in which the finite, not only the occult but even the earthly finite is bathed in the sense of the eternal, the illimitable and infinite, the immensities or intimacies of the timeless. To follow A.E.’s rule might well mean to falsify this atmosphere, to substitute a merely aesthetic fabrication for a true seeing and experience. Truth first—a technique expressive of the truth in the forms of beauty has to be found, if it does not exist. It is no use arguing from the spiritual inadequacy of the English language; the inadequacy does not exist and, even if it did, the language will have to be made adequate. It has been plastic enough in the past to succeed in expressing all that it was asked to express, however new; it must now be urged to a new progress. In fact, the power is there and has only to be brought out more fully to serve the full occult, mystic, spiritual purpose.”

This book by Irish author, poet, painter and mystic George William Russell, is a set of transcendent essays on Celtic mysticism. Known by his pen name AE (which is short for Aeon), Russell was friends with many other figures of the Celtic renaissance of the early 20th century, including Y.B. Yeats, and James Stephens.

The Candle of Vision describes Russells’ luminous excursions into the otherworld, including clairvoyant and prophetic visions, precognition of Gnostic concepts, past-life and astral journeys, and, always, heightened awareness of the beauty that pervades mundane reality. Russell describes encounters with what today we would call UFOs, and attempts to construct a private Kabala based on an intuitive reconstuction of a primal language and alphabet. Lastly, he attempts to put a mystical gloss on the primeval Celtic pagan deities. Lovers of Celtic lore and ecstatic mystic literature will both find much to enjoy in this short book.

Read more

Letters on Poetry and Art

sri-aurobindo-cwsa-vol27-letters-on-poetry-and-art-cover

Letters on Poetry and Art

Letters on Poetry and Art comprises letters written by Sri Aurobindo on poetry and other forms of literature, painting and the other arts, beauty, aesthetics and the relation of these to the practice of yoga. He wrote most of these letters to members of his ashram during the 1930s and 1940s, primarily between 1931 and 1937. Only around a sixth of the letters were published during his lifetime. The rest have been transcribed from his manuscripts.

The present volume is the first collection of Sri Aurobindo’s letters on poetry, literature, art and aesthetics to bear the title Letters on Poetry and Art. It incorporates material from three previous books: (1) Letters on Poetry, Literature and Art; (2) Letters on “Savitri”, and (3) On Himself (section entitled “The Poet and the Critic”). It also contains around five hundred letters that have not appeared in any previous collection published under his name. The arrangement is that of the editors. The texts of the letters have been checked against all available manuscripts and printed versions.

Book Details

Author: Sri Aurobindo

Print Length: 781 pages

Publisher: Sri Aurobindo Ashram

Contributor: Blindshiva, Alexey, Krishna

Book format: PDF, ePub, Kindle

Language: English

Book Download

PDF
EPUB
KINDLE

Contents

Part One. Poetry and Its Creation

Section One, The Sources of Poetry

  • Poetic Creation
  • Sources of Inspiration
  • Overhead Poetry
  • Examples of Overhead Poetry

Section Two, The Poetry of the Spirit

  • Psychic, Mystic and Spiritual Poetry
  • Poet, Yogi, Rishi, Prophet, Genius
  • The Poet and the Poem

Section Three, Poetic Technique

  • Technique, Inspiration, Artistry
  • Rhythm
  • English Metres
  • Greek and Latin Classical Metres
  • Quantitative Metre in English and Bengali
  • Metrical Experiments in Bengali
  • Rhyme
  • English Poetic Forms
  • Substance, Style, Diction
  • Grades of Perfection in Poetic Style
  • Examples of Grades of Perfection in Poetic Style

Section Four, Translation

  • Translation: Theory
  • Translation: Practice

Part Two. On His Own and Others’ Poetry

Section One, On His Poetry and Poetic Method

  • Inspiration, Effort, Development
  • Early Poetic Influences
  • On Early Translations and Poems
  • On Poems Published in Ahana and Other Poems
  • Metrical Experiments
  • On Some Poems Written during the 1930s
  • On Savitri
  • Comments on Some Remarks by a Critic
  • On the Publication of His Poetry

Section Two, On Poets and Poetry

  • Great Poets of the World
  • Remarks on Individual Poets
  • Comments on Some Examples of Western Poetry (up to 1900)
  • Twentieth-Century Poetry
  • Comments on Examples of Twentieth-Century Poetry
  • Indian Poetry in English
  • Poets of the Ashram
  • Comments on the Work of Poets of the Ashram
  • Philosophers, Intellectuals, Novelists and Musicians
  • Comments on Some Passages of Prose

Section Three, Practical Guidance for Aspiring Writers

  • Guidance in Writing Poetry
  • Guidance in Writing Prose
  • Remarks on English Pronunciation
  • Remarks on English Usage
  • Remarks on Bengali Usage

Part Three. Literature, Art, Beauty and Yoga

Section One, Appreciation of Poetry and the Arts

  • Appreciation of Poetry
  • Appreciation of the Arts in General
  • Comparison of the Arts
  • Appreciation of Music

Section Two, On the Visual Arts

  • General Remarks on the Visual Arts
  • Problems of the Painter
  • Painting in the Ashram

Section Three, Beauty and Its Appreciation

  • General Remarks on Beauty
  • Appreciation of Beauty

Section Four, Literature, Art, Music and the Practice of Yoga

  • Literature and Yoga
  • Painting, Music, Dance and Yoga

Appendixes

  • Appendix I
  • Appendix II
  • Appendix III

Note on the Texts

 Sample

Letters on Poetry and Art

Three Elements of Poetic Creation

Poetry, or at any rate a truly poetic poetry, comes always from some subtle plane through the creative vital and uses the outer mind and other external instruments for transmission only. There are three elements in the production of poetry; there is the original source of inspiration, there is the vital force of creative beauty which contributes its own substance and impetus and often determines the form, except when that also comes ready made from the original sources; there is, finally, the transmitting outer consciousness of the poet. The most genuine and perfect poetry is written when the original source is able to throw its inspiration pure and undiminished into the vital and there takes its true native form and power of speech exactly reproducing the inspiration, while the outer consciousness is entirely passive and transmits without alteration what it receives from the godheads of the inner or the superior spaces. When the vital mind and emotion are too active and give too much of their own initiation or a translation into more or less turbid vital stuff, the poetry remains powerful but is inferior in quality and less authentic. Finally, if the outer consciousness is too lethargic and blocks the transmission or too active and makes its own version, then you have the poetry that fails or is at best a creditable mental manufacture. It is the interference of these two parts either by obstruction or by too great an activity of their own or by both together that causes the difficulty and labour of writing. There would be no difficulty if the inspiration came through without obstruction or interference in a pure transcript — that is what happens in a poet’s highest or freest moments when he writes not at all out of his own external human mind, but by inspiration, as the mouthpiece of the Gods.

The originating source may be anywhere; the poetry may arise or descend from the subtle physical plane, from the higher or lower vital itself, from the dynamic or creative intelligence, from the plane of dynamic vision, from the psychic, from the illumined mind or Intuition, — even, though this is the rarest, from the Overmind widenesses. To get the Overmind inspiration is so rare that there are only a few lines or short passages in all poetic literature that give at least some appearance or reflection of it. When the source of inspiration is in the heart or the psychic there is more easily a good will in the vital channel, the flow is spontaneous; the inspiration takes at once its true form and speech and is transmitted without any interference or only a minimum of interference by the brain-mind, that great spoiler of the higher or deeper splendours. It is the character of the lyrical inspiration, to flow in a jet out of the being — whether it comes from the vital or the psychic, it is usually spontaneous, for these are the two most powerfully impelling and compelling parts of the nature. When on the contrary the source of inspiration is in the creative poetic intelligence or even the higher mind or the illumined mind, the poetry which comes from this quarter is always apt to be arrested by the outer intellect, our habitual thought-production engine. This intellect is an absurdly overactive part of the nature; it always thinks that nothing can be well done unless it puts its finger into the pie and therefore it instinctively interferes with the inspiration, blocks half or more than half of it and labours to substitute its own inferior and toilsome productions for the true speech and rhythm that ought to have come. The poet labours in anguish to get the one true word, the authentic rhythm, the real divine substance of what he has to say, while all the time it is waiting complete and ready behind; but it is denied free transmission by some part of the transmitting agency which prefers to translate and is not willing merely to receive and transcribe. When one gets something through from the illumined mind, then there is likely to come to birth work that is really fine and great. When there comes with labour or without it something reasonably like what the poetic intelligence wanted to say, then there is something fine or adequate, though it may not be great unless there is an intervention from the higher levels. But when the outer brain is at work trying to fashion out of itself or to give its own version of what the higher sources are trying to pour down, then there results a manufacture or something quite inadequate or faulty or, at the best, “good on the whole”, but not the thing that ought to have come.

2 June 1931

Creation by the Word

The word is a sound expressive of the idea. In the supra-physical plane when an idea has to be realised, one can by repeating the word-expression of it, produce vibrations which prepare the mind for the realisation of the idea. That is the principle of the Mantra and of japa. One repeats the name of the Divine and the vibrations created in the consciousness prepare the realisation of the Divine. It is the same idea that is expressed in the Bible, “God said, Let there be Light, and there was Light.” It is creation by the Word.

6 May 1933

…

The Secret of the Veda

The Secret of the Veda

The Secret of the Veda

with Selected Hymns

Essays on the Rig Veda and its mystic symbolism, with translations of selected hymns. These writings on and translations of the Rig Veda were published in the monthly review Arya between 1914 and 1920. Most of them appeared there under three headings: The Secret of the Veda, “Selected Hymns” and “Hymns of the Atris”. Other translations that did not appear under any of these headings make up the final part of the volume.

In August 1914, Sri Aurobindo began to publish The Secret of the Veda in the first issue of the philosophical review Arya. This series was accompanied by a related one, Selected Hymns. Selected Hymns was followed a year later by Hymns of the Atris. These works, written and published in monthly instalments between 1914 and 1917, form Parts One to Three of the present volume.

Besides Selected Hymns and Hymns of the Atris, other Vedic translations appeared in the Arya at various times between 1915 and 1920. They were usually introduced when a page or two had to be filled at the end of a 64-page issue. These translations have been placed in the order of their original publication in Part Four, “Other Hymns”.

Read more

Sriaurobindopanishad

Sri Aurobindo Upanishad

Sriaurobindopanishad

This Upanishad was written by Sri Aurobindo during the early part of his stay in Pondicherry (1910-1914). It was first published in the journal Sri Aurobindo: Archives and Research in December 1978 with English translation done by Sri Jagannath Vedalankar.

Book Details

Author: Sri Aurobindo

Print Length: 25 pages

Text source: sanskrit.sriaurobindoashram.org.in

Publisher: Sri Aurobindo Ashram

Contributors: Blindshiva, Manipadma, Sergio Fedrigo, Krishna

Book format: PDF, ePub, Kindle

Language: Devanagari, English

Book Download

PDF
EPUB
KINDLE

Contents

  • Preface
  • Sanskrit Text
  • English Text

Sample

Sriaurobindopanishad

There is Brahman alone, the One without a second. Being and non-being are its forms and It is also beyond Being and Non-Being. There is nothing else except That. All that is contained in the three times and all that is beyond the three times is indeed that One Brahman alone. Whatever is in the universe, small or large, noble or mean, is Brahman alone, Brahman alone. The world is also Brahman. It is true, not false.

That alone is the Transcendent Being, beyond all the three times, beyond all the worlds, penetrating all the worlds, beyond Being, beyond Non-Being, All-Being, All-Consciousness, All-Bliss, without beginning and end, the eternal Divine.

He is without quality and supports all qualities. He has qualities, infinite qualities, and enjoys the state of being without quality. He Himself transcends the state of being without qualities and the state of being with qualities. He is neither without quality nor with quality because He is One and Single.

…

Questions and Answers 1950–1951 (CWM Vol.4)

Questions and Answers 1950–1951

Collected Works of the Mother Volume 4

This volume consists of talks given by the Mother in 1950 and 1951 to the students of her French class as well as some sadhaks of the Ashram. She usually began by reading out a passage from one of her works or her French translation of one of Sri Aurobindo’s works, and then invited questions. During this period the Mother discussed several of her recent essays on education, her conversations of 1929, some letters of Sri Aurobindo and his small book The Mother.

It is worth tracing the origin of the Mother’s French class, in which these talks were given. The Ashram school was founded by the Mother in 1943, and by the end of the decade its first students had learned French fairly well. As more and more children joined the school, there were not enough teachers in French. When the new school year began in December 1950, the Mother decided to take the highest class in French three times a week. At first she spoke to the students and some of the teachers, but gradually many sadhaks of the Ashram were allowed to join the class. As a result, the questions they asked arose from many different levels of understanding.

Read more

Questions and Answers 1929–1931 (CWM Vol.3)

Questions and Answers 1929–1931

Collected Works of the Mother Volume 3

Conversations about Yoga and life. The Mother answered questions raised by disciples in 1929 and 1930–1931. The volume also includes her commentaries on The Dhammapada, with a translation of that text.

This volume includes two early collections of conversations by the Mother and her oral commentaries on the Dhammapada. The conversations were spoken in English; the commentaries were spoken in French and appear here in English translation.

Questions and Answers 1929. In 1929 the Mother met weekly with a small group of disciples. After a period of meditation she answered questions raised by them. Most of these questions were asked by an Englishwoman who was living in the Ashram at that time. One of those present noted down the conversations immediately afterwards and later sent a copy of fifteen of them to Sri Aurobindo, who revised them for publication. They were first brought out for private circulation in 1931.

Questions and Answers 1930-1931. During 1930 and 1931 the Mother spoke with a group of disciples who met with her in a room of the Ashram known as Prosperity. One of the participants recorded some of these conversations in abbreviated long-hand and later elaborated his notes. These reports were not revised by Sri Aurobindo or the Mother, but the Mother did approve of their publication and made a French translation. They were first published as a book in 1951.

Commentaries on the Dhammapada. The Mother gave these commentaries on the Buddhist teachings of the Dhammapada between August 1957 and September 1958. She was speaking to a large gathering of Ashram members and students of the Ashram school, members of her “Friday class” at the Ashram Playground. After reading out a chapter of the text, the Mother spoke about the points that interested her and then asked the class to meditate on them. She did not comment systematically on the Dhammapada verses, but she did cover most of the central ideas of the text.

Appendix to Questions and Answers 1929. This appendix contains Sri Aurobindo’s explanations of certain phrases and passages in Questions and Answers 1929. They were written to various disciples between 1933 and 1937.

Read more

Words of Long Ago (CWM Vol.2)

Words of Long Ago

Collected Works of the Mother Volume 2

Writings and talks from 1893 to 1920. The volume includes early essays, talks to seekers in Paris, essays written in Japan, and Tales of All Times, some stories for children. This volume contains all the writings of the Mother from the period before 1920, the year she settled in Pondicherry, with the exception of Prayers and Meditations. The book is divided into seven parts, according to the nature and date of the material. Most of the pieces were written originally in French and appear here in English translation.

Part 1. The essays and stories in this part were written by the Mother between 1893 and 1912. All the texts were written in French. All but two were first published in 1946 in the first part of a book entitled Paroles d’ autrefois. This book was reprinted in 1955. An English translation, entitled Words of Long Ago, was published in 1946 and reprinted in 1952 and 1947. In the 1978 edition of Words of Long Ago, the contents of Part 1 of the previous editions were rearranged according to date and two new pieces added: “A Sapphire Tale” and an unpublished note related to “On Thought”. “A Sapphire Tale” was first published in the original French and in English translation in the monthly journal Mother India in February 1957. At the time of its publication the Mother remarked to the journal’s editor that the story expressed “the ideal of the overmind creation”. The original translations of all the contents of Part 1 were revised for publication in 1978 in Words of Long Ago, Volume 2 of the Collected Works of the Mother. The same contents were brought out in the original French in 1983 in Paroles d’autrefois, the French counterpart of Volume 2 of the Collected Works.

Part 2. The essays in this part were written by the Mother for the meetings of “a small group of seekers” in 1912. All the texts were written in French. All but one were published in 1946 in the second part of Paroles d’autrefois. This book was reprinted in 1955. An English translation, entitled Words of Long Ago, was brought out in 1946 and reprinted in 1952 and 1974. In the 1978 edition of Words of Long Ago, one new piece was added: the essay for the meeting of 7 May 1914. This essay, which was restored to its original position in the series, was first published in 1939 in Quelques paroles, quelques prièrs and in English translation as the Foreword to the 1940 edition of Words of the Mother. The question at the beginning of this essay, taken from the Mother’s handwritten manuscript, was published for the first time in the 1978 edition of Words of Long Ago. The original translations of all the contents of Part 2 were revised for publication in that edition. The same contents were brought out in the original French in 1983 in Paroles d’autrefois.

Part 3. Between 1911 and 1913 the Mother gave a number of talks to different groups in Paris. Two of these talks, “On Thought” and “On Dreams”, appear in Part 1 of this book. Several other talks never published in the Mother’s lifetime are published here as Part 3. The Mother sometimes presented the same talk to different groups, with suitable additions and alteration. These variants, if significant and non-repetitive, have been given here in footnotes. A note relating to the Mother’s talks, which was found among her manuscripts, has been placed before the other items. The talks, notes and reflections in this part, all from the period 1912-13, were first published in English translation in 1978 as Part 3 of Words of Long Ago. The original French texts were first brought out in 1983 as Part 3 of Paroles d’autrefois.

Part 4. The writings in this part, similar to Prayers and Meditations, were not published in the Mother’s lifetime. Several of the pieces are dated between 1914 and 1916; the remainder seem clearly to belong to the period before 1920. These writings first appeared in English translation in 1978 as Part 4 of Words of Long Ago. The original French texts were first brought out in 1983 as Part 4 of Paroles d’autrefois.

Part 5. This part comprises several short essays and notes entitled by the Mother “Notes and Reflections”, and a few related writings. Several of the pieces are dated between 1914 and 1915; the rest appear to have been written around the same time. None of the writings were published during the Mother’s lifetime. They first appeared in English translation in 1978 as Part 5 of Words of Long Ago. The original French texts were first brought out in 1983 as Part 5 of Paroles d’autrefois.

Part 6. The letters, essays, etc. comprising this part were written in Japan between 1916 and 1920. “Woman and the War”, written originally in French, was published in an English translation seen and revised by the Mother, in the Fujoshimbun on 7 July 1916. “Woman and Man”, written in French around the same time and translated into English by the Mother, was never published in either language during her lifetime. “Reminiscences” also appears to have been written first in French and translated subsequently into English, very likely by the Mother herself. The other pieces in this part appear to have been written originally in English. They are among the Mother’s first compositions in the English language. “Impressions of Japan”, dated 9 July 1915, was written in Akakura and published in the form reproduced here in the Modern Review (Calcutta) in January 1918. “The Children of Japan”, an incomplete letter, was written shortly after “Impressions of Japan”, “Myself and My Creed” was written in February 1920. “To the Women of Japan” is undated. It exists in several versions, one of which has been chosen as the principal text; to this, passages from other versions have been added. Part of this talk was published as “To the Women of the World” in the annual Sri Aurobindo Circle of 1947. Some revisions, made by the Mother for this publication, have been included in the present text. A greater portion of the talk was published as “Talk to the Women of Japan” in 1967. The last part of “To the Women of Japan” incorporated passages from Sri Autobindo”s Human Cycle, Synthesis of Yoga, etc. The pieces in this part were published together in English in 1978 as Part 6 ofWords of Long Ago. The same pieces were brought out in French in 1983 as Part 6 ofParoles d’autrefois.

Part 7. The Mother translated and adapted some stories written by F.J. Gould which had been published in his Youth’s Noble Path in 1911. The Mother’s versions, written in French, were first published under the title Belles Histoires in 1946. English translations of the stories were first brought out in 1951 under the title Tales of All Times. These translations were revised for inclusion in Part 7 of the 1978 edition of Words of Long Ago. Several hitherto unpublished stories were translated and added as an appendix to that volume. All the stories were published in the original French in 1983 in Part 7 ofParoles d’autrefois and its appendix.

Read more

Anandamath

Bankim Chandra Chatterjee - Anandamath

Anandamath

Anandamath is a Bengali novel, written by Bankim Chandra Chatterjee and published in 1882. Set in the background of the Sannyasi Rebellion in the late 18th century, it is considered one of the most important novels in the history of Bengali and Indian literature. Its importance is heightened by the fact that it became synonymous with the struggle for Indian independence from the British Empire. The novel was banned by the British. The ban was lifted later by the Government of India after independence. The national song of India, Vande Mataram, was first published in this novel.

The prologue and the first thirteen chapters of Part I were translated by Sri Aurobindo, the rest by his brother Barindra. The parts translated by Sri Aurobindo first appeared in the KARMAYOGIN, intermittently between August 7, 1909 and February 12, 1910.

Read more

Prayers and Meditations (CWM Vol.1)

Prayers And Meditations

Collected Works of the Mother Volume 1

Prayers and Meditations consists of extracts from the Mother’s spiritual diaries. Most of them are from the period 1912 to 1917. The 313 prayers reproduced here were selected by the Mother for publication. Written in French, they appear here in English translation.

A small collection of prayers — about one-fifth of the total — was brought out in English in 1941. Sri Aurobindo translated some of those prayers himself and, in the other cases, revised translations made by disciples.

This book comprises extracts from a diary written during years of intensive yogic discipline. It may serve as a spiritual guide to three principal categories of seekers: those who have undertaken self-mastery, those who want to find the road leading to the Divine, those who aspire to consecrate themselves more and more to the Divine Work. — The Mother

Read more

The Bombardier Beetle

The Bombardier Beetle

The Bombardier Beetle

This is the transcription from audio of two one-hour lectures presented by Georges Van Vrekhem at the Savitri Bhavan in Auroville in 2008. Georges makes an excursus through science and its tentative to follow the prints of evolution. All his talk is full of the light of the Integral Yoga, and through it Georges accompanies the auditor in this voyage towards the sense of evolution of man.

Read more