Tag Archive for: Aurovillle
Sri Aurobindo: The Grand Synthesis
Sri Aurobindo: The Grand Synthesis
On November 3rd, Dr. Ananda Reddy released his new book Sri Aurobindo: The Grand Synthesis at a function at Auroville’s Unity Pavilion in the presence of the Vice Chancellor of the Pondicherry University Prof. Gurmeet Singh and the Secretary of the Auroville Foundation Dr. Jayanti Ravi. The book is dedicated to Sri Aurobindo on the occasion of his 150th birth anniversary.
The book is divided into two parts. In part one, Ananda highlights the turning points in Sri Aurobindo’s life and explains why he considers Sri Aurobindo to be the guiding spirit of humanity. In the chapter Sri Aurobindo: The Future, he comments on each of the five dreams of Sri Aurobindo, given as a message for the 15th of August 1947 on the occasion of India’s independence. Read more
Building a ‘New Earth’
Building a ‘New Earth’
Every so often a story comes along that captures the spirit of Auroville in a unique way, bringing to light aspects of its deeper purpose of transforming the world we live in to create a spiritualized life on our planet. ‘New Earth’ is one such story, captured in a colourful coffee table book with hundreds of vivid flower mandala images accompanied by a few short texts. Conceived and photographed by Avigal Lemberger, the book is intended as a meditative opening to the language and significance of flowers and mandalas.
The New Earth story started on October 13, 1972 when Auroculture brought an all-flower compost to The Mother who “put her lovely hands on it and meditated on it.” This original batch has been constantly added to, and taken from, in a homeopathic manner, so that a direct link back to Mother’s first touch and concentration remains. Before her passing, Auroculture designated Avigal to follow in her footsteps with the work of creating this ‘New Earth’. Read more
Crossroad: A New Humanity
Crossroad: A New Humanity
Paulette has published an interesting new compilation in celebration of Sri Aurobindo’s 150th birth anniversary. ‘Crossroad: A New Humanity’ contains extracts from “The Human Cycle”, “The Ideal of Human Unity” and “War and Self Determination”.
After examining the transition from the infrarational to rational, subjective and, ultimately, the spiritual age, along with the corresponding societal changes, the focus shifts to Sri Aurobindo’s research on the nation and group-soul, and a World Union of all the people, concluding with what Sri Aurobindo called the need for a ‘Religion of Humanity’ and the dawning of the spiritual age. Read more
The English of Savitri Volume 11
The English of Savitri
volume 11
The English of Savitri Volume 10
The English of Savitri
volume 10
The English of Savitri Volume 9
The English of Savitri
volume 9
This is the Ninth Volume of the English of Savitri series. Like the previous books in this series, this one too is based on transcripts of classes held by the author at Savitri Bhavan, in this case from March to September 2020. The transcripts have been carefully revised and edited for conciseness and clarity, while aiming to preserve the informal atmosphere of the course. This Ninth Volume covers Cantos Ten and Eleven of Book Two of Sri Aurobindo’s epic, Savitri – A Legend and a Symbol. Each sentence of these cantos is examined closely and explanations are given about vocabulary, sentence-structure and imagery. The aim is to assist understanding of the poem which the Mother has characterised as ‘the supreme revelation of Sri Aurobindo’s vision.’
The English of Savitri Volume 8
The English of Savitri
volume 8
This is the Eighth Volume of the English of Savitri series, based on transcripts of classes led by the author at Savitri Bhavan, in this case from 29 March to 3 May 2012 and from 12 September 2019 to 27 February 2020. The transcripts have been carefully revised and edited for conciseness and clarity, while aiming to preserve the informal atmosphere of the courses. This volume contains detailed explanations of the texts of three cantos of Book Two of Sri Aurobindo’s epic, namely Canto Seven, The Descent into Night, Canto Eight, The World of Falsehood, the Mother of Evil and the Sons of Darkness, and Canto Nine, The Paradise of the Life-Gods. Each sentence is examined closely and explanations are given about vocabulary, sentence- structure and imagery. The aim is to assist a deeper understanding and appreciation of the poem which the Mother has characterised as ‘the supreme revelation of Sri Aurobindo’s vision’.
The English of Savitri Volume 7
The English of Savitri
volume 7
Like the previous books in this series, this one too is based on transcripts of classes held by the author at Savitri Bhavan, in this case from August 2011 to March 2012. The transcripts have been carefully revised and edited for conciseness and clarity, while aiming to preserve the informal atmosphere of the course. This Seventh Volume covers Cantos Five and Six of Book Two of Sri Aurobindo’s epic, Savitri – A Legend and a Symbol. Each sentence of these cantos is examined closely and explanations are given about vocabulary, sentence-structure and imagery. The aim is to assist understanding of the poem which the Mother has characterised as ‘the supreme revelation of Sri Aurobindo’s vision’.
Auroville from Above
Auroville from Above
A change of perspective can result in a change consciousness. Five hours after the launch of the Apollo 17 mission in 1972, astronaut Harrison Schmitt took a photo of the Earth from space which has become one of the most reproduced images anywhere. What made this image of the blue planet swimming in the black void of space so influential was that it emphasized both the beauty and precariousness of our existence, and the fact that we need to work together to preserve it.
Auroville from Above had a similar impact on some of the viewers. “What a change of perspective!” wrote one, “It feels like helping us to realize the amazing place/gift we are living in.”
The project was conceived in 2018 as an idea to create a photo book of aerial pictures of Auroville, complemented with inspiring quotes from Sri Aurobindo and The Mother. This also became an exhibition. “We had a basic idea to create a book of photos all around Auroville of places we know very well but have never seen from the sky,” says Julie. “We also had the initial idea of doing places less known. However, in the process we discovered so much more that the project became more and more refined,” notes Om. “For example, even something as simple as the colours and textures of the soil, the lushness of the trees and the intensity of the sky change almost minute by minute, offering us a new canvas to work with each time.”
“It really expanded our vision of Auroville,” notes Julie. “When you go up a little bit higher, you realize how much you didn’t know about this place, and you also realize there is more than one way to see things. For example, in the panorama photos you see how tiny we are in comparison to the trees.”
In fact, one of the revelations of this exhibition is how green Auroville looks from the sky. Even in the city, the buildings poke almost apologetically above rolling waves of trees. “When you look from this perspective,” says Om, “you appreciate the tremendous collective effort that was made to plant this forest.”
Another discovery was the uniqueness of Auroville’s architecture. From above, one can admire the sweeping curves of Savitri Bhavan, the mandala pattern of the Tibetan Pavilion, the sprung thrust of the Amphitheatre, and the unusual geometry of places like Humanscapes. In fact, some designs seem to work much better from the air than from ground level. One revelation is the Garden of Bliss which, from a higher elevation, suddenly acquires a new interest and beauty.
“You also see that some buildings are consciously placed – like the way that the main line of Savitri Bhavan is exactly orientated to the Matrimandir,” says Om. “Then again, I’d always assumed that the two pathways around the Urn were symmetrical – but they’re not! Also, you see immediately where architects have made an effort to incorporate nature into their designs, as in the kindergarten, and where, on the contrary, they have simply created a block without reference to the natural surroundings.”
The narrative structure of the exhibition is a day in Auroville: it begins and ends with panoramas of the community spread out under wonderful morning and evening skies. An early morning photo, which is one of their favourites, is titled ‘Gratitude’. It shows early morning light pouring down through the mist and forest, while a lone cyclist circles a tree. “Because of the mist we were actually considering whether we would shoot or not, but when we lifted the drone and saw this golden light pouring down, everything came together for a few seconds: it really was the City of Dawn,” says Julie.
“For me, images like this are a reminder of the original Auroville,” says Om. “Growing up here you hear a lot about the ideals of Auroville, but as you get older you start seeing we are not really there yet. This is also why we included the quotes, not only to complement the images but also to remind us of what we are supposed to be.”
“We wanted to present the beauty of Auroville rather than the problems,” says Julie. “For me, Auroville is beauty; this is the ideal Auroville for me. By diving into this project we re-centred ourselves. Seeing so much more of the beauty from this unique perspective brought us back to the vision, and made us feel so lucky and grateful to be part of this place.”
Alan,
Originally published at:
https://auroville.org/avtoday
A 120 page book, Aerial Auroville, accompanies the exhibition.
For further information contact
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